

Catherine deserves to be on someone’s list so glad you have it and Gravity rush is a good choice cause it was a fun use of mechanics.
Catherine deserves to be on someone’s list so glad you have it and Gravity rush is a good choice cause it was a fun use of mechanics.
I still think the series is actually the best Space Opera and I do mean opera. But they have some great stories.
I’d love another Riddick game too. I’ll settle for the 4th movie I guess for now
I do think the Spyro games are probably the absolute best of the collect-a-thon genre. Joyful and fun and with fun puzzles. I am worried I am too biased to say it though since I have 120%/100%/117% beat the games multiple multiple multiple times.
Right… So what game gets the most of those bits the most right?
That’s how you start to separate out the best. Not that complex.
How do you even begin to care about anything in that game when you are basically mashing buttons for hours and just listening to people complain about how shit life is?
I get its an art piece of living the existence you are thrown into but it feels like a confusing mess even gameplay wise for the starting hours that people that have finished it I feel miss how unfun it is at first.
I didn’t even know why I was now stuck on the other side of a wall in a union dispute and I just couldn’t be bothered to restart the game to try something else after how long it took to get dressed the first time.
It’s such a good puzzle box but I don’t think I would call The Room, a masterpiece while it’s still yet another great puzzle box game.
They are masterpieces in puzzles but maybe not games? I dunno why I don’t consider them.
I always forget how absolutely awesome Escape From Butcher Bay is until I’m reminded of its existence and its shockingly unfair to that game.
So I think it’s actually really important that the games that would be considered objective masterpieces would have to overcome any language barriers and be an experience approachable by anyone. You can learn the mechanics to enjoy the gameplay without words
So:
Then there are dialogue option stories that are fantastic stories that I could consider greats but shareable masterpieces is hard to say as they rely on you speaking the language both literally and then gameplay wise:
You are wrong about borderlands as there is one more and it is pretty muc h perfect.
Tales from the Borderlands.
Shame they never made a sequel for it but the artistry, music and story are all so well crafted. Someone loved Borderlands making that.
I would absolutely put that game up high on the lists as it is a perfect piece of atmospheric gameplay of misery incarnate.
Ah yeah we are all pedants here and such while I understand and mostly agree with your comment I now must include.
Uhh, actually we don’t have a justice system, we have a legal system.
If I was a real fan.
Nah na na na na na na na na
Thank you Gwen Stefani for saying all the na’s for me.
Not OP but Tales from the Borderlands 1 us my favorite of the telltale game collection and has some of my favorite music videos ever and wears its emotions on its sleeve for you to empathize with its characters in clever real ways.
So the logic is…
The laws only apply to the poor except for exceptions where rich are on their way to poor and can be used as examples of the exception .
None I think. I paid for all my streaming services that had these movies and shows and then have sourced everything else through originals or sources that were rentable.
This is that whole issue with defining ownership with digital media. Movies were called the greatest financial invention of America because they only had to make a product once and could sell it forever.
With digital media and technology increases we now have a much easier time owning our own copies.
This is likely literally what NFTs hoped to fix to make set revenue of of each digital file and also why they failed because they are so easy to copy anyways.
So, none, or an infinite amount, depending on if you ask me or a business major.